Perfume 世界巡演伦敦站

Song

感兴趣的同学不要错过哈，除了伦敦，科隆和巴黎也都有场次！

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请问买票怎么买呀？~

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来自 kayi酱熬过论文就是晴天 的新浪微博

Song

发一个评论吧，很爽很开心的体验，腐国应该多举办几次
from: http://www.jpopgo.co.uk/jpg/perfume-live-in-london/

是不是很久以前，期待Perfume在英国演出的的想法显得荒唐，不过继从今年早些时候Kyary Pamyu Pamyu的表现来看，时代显然在变化。




卖门票时首次公布了Perfume世界巡回演唱会第二次伦敦站，几乎是开售立刻，就促使演出场馆从O2伊斯灵顿（容量800）移动到较大的O2 Shepherd（容量2,000）。 

演出当天是一个出人意料的阳光灿烂，炎热的一天，在伦敦。渴望的歌迷已经开始从清晨在会场外排队，并从他们的服装判断，很明显（Perfume俱乐部团服），铁杆元素们倾巢出动。事实上，有一些与Perfume极为相象的服装，包括香水（是指真正使用的香水） - 已经从香水的广岛原来的家，飞到伦敦，如同特别是为演唱会的行为致敬。



大家终于在傍晚进入会场的时候（实际因为队伍的原因，入场后已经相对开场时间晚了一个多小时），有一个可触及的热情气氛。屋里的灯降低，有一个巨大的轰鸣声从一个兴奋期待的观众们。 充分利用他们的衣服上的视频投影，Perfume重新诠释了她们戛纳性能特色的混音《Spending All My Time》。它担任的完美前奏，歌曲被赋予了更多的影响，并在配合屏幕上精湛的投影，有几次，你甚至不能肯定你看投影会随机分解开女孩的profiles在漆黑的舞台上。



然后，是直冲《Magic Of Love》，香水最近期发布的谐波旋律.观众们终于可以看到Perfume并更清楚地欢呼响应。但是随后的《Laser Beam》，才真正树立了大家的Technopop对待。作为Perfume的最知名的数字之一，它无缝地传送到现场的设置。纵横交错的激光器创建一个耀眼的光网，让舞台感觉起来是远远大于了它的实际。 



让fans高兴早期，《Polyrhythm》，人群中一个巨大的反应。然后，它是女孩带来了家里的灯MC段休息时间。这使得AA议员，Kashiyuka NOCCHI正确的自我介绍 -  NOCCHI抓起一条毛巾，说：“Too hot – Sweat girl！”然后，它是为一个即兴日本教训的女孩问，如果每个人都使用Facebook的时间 - 然后教大家日文版的Facebook的“喜欢”，这是II NE。

保持对话以英国重点，聊天，然后转移话题到食物和传统的英国菜炸鱼薯条，很明显，是远远比日本的fish and chips美味。这也提示女孩诱导宣布的stalls喊“chips！”upper balconies的观众喊“Fish！”，坚持每节调用分配给他们的名字时，提示一点点的竞争。


After all those fun and games, it was time to jump straight back into the songs with a heavy bass-enhanced Spring Of Life followed by an equally percussive rendition of Seventh Heaven. The latter seems an odd choice for the setlist when the outfit has so many more heavy hitters in their arsenal. Its one that also interestingly appears to have a few Kyary Pamyu Pamyu-style licks in its closing bars. Spice follows up with a more stripped-down stage presentation with the girls flawless choreography picked out by simple spotlights.

There’s a brief interlude at this juncture (with video projections and an instrumental version of Handy Man), allowing the girls time to leave the stage and change their outfits. The trio return having swapped out their white dresses for more dazzling outfits with bold triangulated colours. Then it’s straight into a rendition of Daijobanai – again another usual choice of song, originally the B-Side of their earlier 2013 Mirai no Museum single release. It’s a stomper of a song though with its rapid-fire beats perfectly complimented by Perfume’s synchronized movements. That’s followed by the percussive glory that is Electro World whose driving beats and crunchy rhythms seem almost custom-built for a live performance.

After that rousing section of the show, it’s time to stop for another MC for the PTA Corner segment of the show. This is a regular feature of standard Perfume gigs and consists of call-outs to sections of the audience. So if you’re a girl, shout out, if you’re wearing glasses, then shout out etc. Then it’s onto a call and response performance of the Hamigaki (toothbrushing) song, which did appear to lose much of its impact on a UK audience. This shapes up into what appears to be an aerobics performance as the audience are guided through hand-waving techniques to take part in an upcoming song. It’s a tricky thing to follow and makes you appreciate how complicated the choreography actually is – and we were just trying it with one hand.

To win the audience back over however, the Perfume trio embarked on a brief rendition of Queen classic We Will Rock You, which got an enthusiastic response with the whole venue clapping in unison.

From there, it was straight into the last section of the concert as the sped-up intro of Fake It kicked off. Dream Fighter follows, with handy lyrics on the screen for the audience to follow. Then it’s time for the instantly recognizable intro to Chocolate Disco, one of Perfume’s earlier and yet still consistently popular songs – particularly live as the crowd are encouraged to thrust their hands up at the end of each chorus.

Sadly, it’s then time for the last song, which is the energetic My Color. This gives the audience the opportunity to practice the hand choreography from earlier, so congratulations if you managed to pull this feat off.

But the crowd is still hungry for more and a frenzied bout of clapping and chanting begins until the girls return to the stage. And now it’s decision time as a list of tunes appears on stage inviting us to vote for the final song. Will it be Nee, GLITTER or Love the World? The crowd is encouraged to shout the loudest as each track is read out, but to my ears every song is equally welcomed. In the end the girls decide that GLITTER has got the biggest response and so our final song of the evening is the bassy beats of this 2011 track. Along the way, the girls encourage once again the “FISH!” and “CHIPS!” segments of the audience leaving everyone on a high. As the girls say their goodbyes at the end, Aa-chan thanks the audience and states that they all “feel the same passion for music”.

Merchandise was available at the venue, although copies of some of the singles and the Love the World CD swiftly sold out – as did the special PTA T-Shirts. Lucky people at the end were able to snap up some of the live DVDs however. Plus, there were plenty of tour shirts and towels to go around at the end.

So what’s the conclusion about Perfume’s historic UK debut? It was certainly a superb performance, albeit not the full-on epic scale visual spectacle that their Japanese concerts consist of (for comparison, Tokyo Dome has a capacity of over 50,000).

Also, Perfume are now at the stage where they’ve released so many songs, that making setlist choices is going to be difficult. Personally, I’d have liked more Triangle-era tunes like One Room Disco or Night Flight, but for the moment we’re going to be wondering on what Perfume’s returns plans are, if any. I suspect that judging by the enthusiastic response of their fans tonight though, this is a foregone conclusion.